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None of the source files (online or offline) were over 5 or so minutes in length and the online stuff played fine, so I assumed it was an Avid 'linking' issue and not codec relatd.Īnyhow, finally, and with no expectation of success, I downloded and installed the latest "Canon XF Plugin 64", again did a "Link to Media." and voila!. AVID MEDIA COMPOSER 8 TUTORIAL PORTABLEI tried every way possible to re-connect the offline AMA masterclips to source files on my portable drive with no luck (I had earlier created and edited with a bunch of "grouped" clips so I really wanted this to work). For some reason, with this C300 footage, only around half of the source footage accepted the new file path on the portable drive and the offline footage still showed the pathway to my client's office drive. AVID MEDIA COMPOSER 8 TUTORIAL TVI often begin a project at their office, copy the source files and project to a portable drive and then finish up and upload it to the TV stations from home. I freelance and I have MC on my home system and I have clients who have MC on their systems at their office. Also, at one point in time, there were ALL linked. I haden't suspected this because about half of the video source files from the same camera (Canon C300) actually relinked. This allows you to take any buttons in the Command Palette and drag to your keyboard, or even to the UI.Hey for your help! It turns out that it was a codec plugin issue. We're going to start out with “Button to Button” Reassignment. In the Command Palette, there are 3 important buttons to know about: The “Button to Button” Reassignment button, the Active Palette button, and the “Menu to Button” Reassignment button. If you've got a nice color-coded keyboard for Avid, the icons shown in Figure 4 are going to be identical to what your keyboard shows. With the Command Palette and Keyboard Settings open, you can see the default settings (Figure 4, below Figure 3).įigure 4. To access the Command palette, go to Tools > Command Palette ( Figure 3, below) or press Command/Control+C. The other thing that we need to customize our keyboard is the Command Palette. Double-click Keyboard Settings to open up the Keyboard Setting, which you can see in Figure 2 (below).įigure 2. ![]() You can also jump to this by pressing K on your keyboard. Even farther down, scrolling through the alphabetical list of settings in the left column, you’ll find the Keyboard settingw. Lower down in Figure 1, you can also see the various Export settings. Bin views and Export settings in the Settings menu For example, you can see the 7 types of Bin Views, beginning with Basic, Capture, and Custom.įigure 1. What you see should look like the 3 columns of information you see in Figure 1 (below), with general settings groups in the left column and specific settings choices in the middle column. Accessing the Keyboard Settings and Command Palette So if you do find yourself jumping between editing stations, I recommend that you keep your keyboard fairly close to Avid’s default settings. My keyboard has been massively customized since about 1994, and I find it very difficult to use someone else's keyboard. ![]() The keyboard’s default configuration is a great place to start, and there are plenty of people who would say that you shouldn't change the default because it makes it harder to work on another editor's machine. ![]() AVID MEDIA COMPOSER 8 TUTORIAL HOW TOToday we're going to talk about Avid editing and customizing your keyboard in Avid, which is a very important thing to know how to do.
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